CSWS Annual Review

Activist Leshia Evans stands her ground while offering her hands for arrest as she is charged by riot police during a protest against police brutality outside the Baton Rouge Police Department in Louisiana, USA, 9 July 2016. Evans, a 28-yearold Pennsylvania nurse and mother of one, traveled to Baton Rouge to protest the shooting of Alton Sterling. Sterling was a 37-year-old black man and father of five, who was shot at close range by two white police officers. REUTERS/Jonathan Bachman TPX IMAGES OF THE DAY

A Year in Review: 2016–17

by Michelle McKinley, Director, CSWS, and Dena Zaldúa Frazier, Operations Manager, CSWS

What a year…in many ways for CSWS and for the UO campus community as a whole, this past year was the best of times and the worst of times. 

Left to right: Laila Lalami, Angela Joya, Miriam Gershow, Michael Najjar, Lamia Karim, and Liz Bohls, with creative writing professor Jason Brown watching from the audience.

Panel Discussion: Laila Lalami’s Pulitzer finalist novel, "The Moor’s Account"

Commentary presented by Miriam Gershow, Novelist & Associate Director of Composition, Department of English

I come to The Moor’s Account as a novelist, so my expertise is in fiction writing. What I’m most interested in is the part of the story that was not shaped by the historical record but instead came straight from Laila Lalami’s imagination—Mustafa’s back story and characterization, and how it undergirds the larger structure of the book. In this scene, we have the start of a series of choices that will lead to Mustafa’s slavery. We have a character who turns away from family and tradition and spirituality.