"Black thinkers in the antebellum United States grappled with what it meant to inhabit a place, a history, and a violent legal regime. In newspapers and pamphlets, political speeches, and fiction, Black writers persistently imagined alternative and liberatory legal futures. In reading these writers as architects of legal possibility, Faith Barter mobilizes the coincidental intimacy of prose and the legal term pro se, which refers to litigants who represent themselves in court.

"This collection brings together the experiences and voices of anthropologists whose engaged work with im/ migrant communities pushes the boundaries of ethnography toward a feminist, care-based, decolonial mode of ethnographic engagement called ‘accompaniment.’ Accompaniment as anthropological research and praxis troubles the boundaries of researcher-participant, scholaractivist, and academic-community to explicitly address issues of power, inequality, and the broader social purpose of the work.

"California Medieval is an intriguing hybrid memoir, interspersed with poetry, song, and lyrical vignettes. It explores the world of a Franciscan convent during the heyday of the 1960s in San Francisco at the birth of the flower-power era, as seen through the eyes of a novitiate nun, newly arrived in the Bay Area from a rural community in southwestern Washington State. This book is a stylistically and structurally adventurous narrative that forms a literary intersection of music, spirituality, nature, sociology, and sexuality.

"Women’s creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women’s diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women’s contributions to the production and circulation of global print cultures.