2024 Annual Review

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Publication Year
2024
Articles
Anita Hill and Ellen Herman

Anita Hill: Reflections on the 2024 Lorwin Lecture

In 1991, Anita Hill started a national conversation on sexual harassment when she testified that Supreme Court nominee Clarence Thomas had subjected her to unwanted sexual advances years earlier. Today, Hill is a leader in the fight against gender-based violence. A professor of social policy, law, and women’s studies at Brandeis University, Hill presented the 2023-24 Lorwin Lecture on Civil Rights and Civil Liberties, held in partnership with the Wayne Morse Center for Law and Politics. The event was held May 9, 2024, as part of CSWS’s 50th anniversary celebrations. Hill was introduced by political science major Lierta Nako, president of the UO Undergraduate Law Association.
Sangita Gopal / Photo by Brian Davies

A Message from the CSWS Director

by Sangita Gopal, Associate Professor, Department of Cinema Studies

Thank you all for making the 50th anniversary celebrations of the Center for the Study of Women and Society so rich and fruitful! And filled with joy and remembrance. Indeed, it was an eventful 18 months where we collaborated with partners across the disciplines at the University of Oregon to showcase how diverse fields imagine feminist futures and archive feminist pasts at a time when gender and justice are once more at the forefront of our attention globally. 

Pirctured, from left, are Akiko Hatakeyama, Barbara Lima, and Shannon Mockli.

Feminist Futures: Moments from the CSWS 50th Anniversary

by Jenée Wilde, Senior Instructor, Department of English

Right from the start, CSWS leaders, affiliates, and collaborators imagined our 50th anniversary as an opportunity to reach beyond the usual partnerships. From the UO Environmental Initiative to the School of Music and Dance, and from UO Common Reading to the Jordan Schnitzer Museum of Art, we built a program of events that speak to the ways that intersectional feminism informs research, scholarship, and creative production across the University of Oregon and shapes our collective visions of social justice. 
Pictured from left, panelists Sangita Gopal, Michael Hames Garcia, Michelle McKinley, Vickie DeRose, Ernesto Martinez, Ellen Herman, Margaret Hallock, Priscilla Ovalle, Tannaz Farsi, and Marilyn R. Farwell discuss what over time has shaped the identity of CSWS as a feminist research center.

Past Lessons, Future Visions: CSWS 50th Anniversary Alumni Symposium

by Jenée Wilde, Senior Instructor, Department of English

On May 10, 2024, three panels of faculty affiliates, former grant fellows, and friends of the Center for the Study of Women in Society participated in our 50th Anniversary Alumni Symposium. The “Shaping a Feminist Research Center” leadership panel opened the event with stories of what influenced CSWS’s identity as a feminist research center over time. Next, the “Incubating Feminist Futures” special projects panel shared the history and important outcomes of several CSWS research interest groups and initiatives. Finally, the “Envisioning Feminist Futures” alumni panel discussed the long-term impacts of funding feminist research, scholarship, and creative work for UO graduate students and faculty.
Bryant Taylor invites attendees to play a Bingo icebreaker at the 2023 New Faculty Welcome Reception / photo by Jack Liu

Q&A: Bryant Taylor

For two years, Bryant Taylor, a PhD candidate in the Department of Indigenous, Race, and Ethnic Studies, had a special appointment working as a Graduate Employee (GE) on our 50th anniversary events and projects. I had the opportunity to chat with Bryant about his time at CSWS before he left for a summer internship on an African American archival history project at Harvard University.
The cover of Maya Gonzalez's picture book, "When a Bully is President: Truth and Creativity for Oppressive Times"

Illustrating Resilience: Children’s Picture Books for Oppressive Times

How might children’s literature help us respond to our current political climate? While all literature is politically (or at the very least, ideologically) motivated, a picture book that exemplifies political content for children is Maya Gonzalez’s When a Bully is President: Truth and Creativity for Oppressive Times. Not only is it an indirect comment on Trump but it also reframes US history through bully discourse in its reflections on colonization, slavery, war, and xenophobia. When read as political texts, picture books have the potential to inspire collective action or activism.
Lana Lopesi

Care: Samoan Feminism, Care Work, and Immaterial Labor

by Lana Lopesi, Assistant Professor, Department of Indigenous, Race, and Ethnic Studies

Two years ago, I moved from Aotearoa, New Zealand, to take up my current role as an assistant professor in the Department of Indigenous, Race, and Ethnic Studies. When we first made the move, the key word was “adjust,” and the mission was to adjust to a new country and to a new academic context, while carving out my own space here. Now that Kalapuya Ilihi is growing in familiarity, I have delved into new research projects, including one tentatively titled “Care: Samoan Feminism, Care Work, and Immaterial Labor.”
A chat with a Myanmar Jingo wife, who holds a baby on the left side / photo provided by Xiaobo Su

Aliens at Home: Myanmar Wives and the Exercise of Border Biopolitics in Yunnan, China

by Xiaobo Su, Professor, Department of Geography

In August 2023, at the entrance of Muke village, an ethnic Jingpo (equivalently, Kachin in Myanmar) village one kilometer away from the China–Myanmar border, I and my interpreter parked our car and stopped by a snack shop to learn where to find the village head for more information about cross-border marriage. The female owner, Ruishan, was a Myanmar wife originally from Kachin state, just across the border.
A still image from the film Good Manners (2017)

‘Feeling With’ Other Bodies: The Posthuman in Latin American Cinema

By Marena Fleites Lear, PhD Candidate, Department of Comparative Literature

Over the last several decades, feminist philosophers have given us different frameworks for understanding how individual and collective bodies are made vulnerable to sociopolitical forces, but also how bodies in turn shape those networks of power. They remind us that our bodies (differentially marked by racism, colonialism, ableism, etc.) are the very stuff of politics.

Pictured from left are María Galindo, Christina Rivera Garza, and Magela Baudoin

Power of the ‘Multitude’: Women’s Autobiographical Writings in Latin American Literature

by Magela Baudoin, PhD Candidate, Department of Romance Languages

Women’s autobiographical writing has historically faced devaluation within the realm of so-called “high” literature (Huyssen 2006). This marginalization stems from several factors: firstly, the misguided association of “literary” with “fiction,” which tends to discredit narratives perceived as not purely imaginative (Lejeune 1989; Molloy 1996); secondly, entrenched paradigms in modern Western thought...

The cover of "Drawing the Line: Indian Women Fight Back"

Re-examining Context, Culture, and Medium: Gender in South Asian and South Asian American Graphic Novels

by Anu Sugathan, PhD Student, Department of English

My interest in graphic narratives as a research topic emerged during my master of philosophy studies. While contemplating my thesis, I discovered various Indian graphic novels by contemporary writers and artists that brought back memories of my childhood comic books like Balarama, Balabhumi, and Champak. However, unlike earlier comic books, these graphic novels stood out due to their distinctive style, paper quality, and thematic depth...

Min Young Park, PhD Candidate, Department of English

Tempting Bad Taste: Unreading the Failure of Art, Fashion, and Food in Late Modernist Novels

by Min Young Park, PhD Candidate, Department of English

Nella Larsen’s Quicksand opens with a vivid portrait of Helga Crane’s room. It is brimming with furniture and garments of her “rare and intensely personal taste” (1). The emphasis on the privacy of her taste is easily overlooked as it is soon followed by a disturbing remark by a white priest who claims that “Naxos Negroes…had good taste” because “[t]hey knew enough to stay in their place” (3)...

Annie Ring, PhD Candidate, Department of Philosophy

White Women’s Linguistic Terrorism

by Annie Ring, PhD Candidate, Department of Philosophy 

J.L. Austin’s How to Do Things with Words demonstrates that language is not just descriptive but in some cases is performative. That is, Austin’s speech act theory argues that language itself performs, changes, or does things in the world. Speech act theory classically considered institutions like marriage, where a pronouncement weds people into a legally binding relation, or boat christening, where naming and blessing a boat before the maiden voyage protects its passengers (Austin).

W. Jamie Yang, PhD Candidate, Department of Sociology

A Queer Quantitative Inquiry: Sexual Injustices and Social Contexts

My dissertation builds on a stance that views pleasure and safety as fundamental human rights. I am motivated by a wish to democratize pleasure for all, and specifically the questions, “What prohibits individuals from fully enjoying the sexual aspect of their humanity,” and “When it comes to sexual encounters, why do some groups of people consistently have a better and easier time than others?” I use critical feminist theory and queer quantitative methodology to examine how social contexts influence young adults’ experience with sexual injustices and sexual victimization.
Rosa M. O'Connor Acevedo, PhD Candidate, Department of Philosophy

Disclosing Enslaved Women’s Resistance in Puerto Rico’s History of Slavery

by Rosa M. O’Connor Acevedo, PhD Candidate, Department of Philosophy

On February 20, 1824, a mayor in Puerto Rico writes to Governor Miguel de la Torre pleading for support to apprehend a fugitive slave referred to in the colonial documents as “Negra Martha.” According to the letter, Negra Martha ran away from the grips of her enslaver, Daniel Peterson, two years before the letter was written describing the maroon woman’s whereabouts.