"One of the few collections of plays by Irish women, this volume contextualizes the political and sociological climate in which these playwrights developed. As theatre practitioners—actors and directors—as well as scholars, Kearney and Headrick have devoted years of research to discovering and rediscovering the contributions these women have made—and continue to make—in the Irish and world theatre scenes."

Syracuse University Press, 343 pages

“When Lauren Kessler was twelve, her ballet instructor crushed not just her dreams of being a ballerina but also her youthful self-assurance. Now, many decades and three children later, Kessler embarks on a journey to join a professional company to perform in The Nutcracker. Raising the Barre is more than just one woman's story; it is a story about shaking things up, taking risks and ignoring good sense, and forgetting how old you are and how you're "supposed" to act. It's about testing limits and raising the bar(re) on your own life.” 

“Engaging the development of Heidegger’s non-public writings on the event between 1936 and 1941, Daniela Vallega-Neu reveals what Heidegger's private writings kept hidden. Vallega-Neu takes readers on a journey through these volumes, which are not philosophical works in the traditional sense as they read more like fragments, collections of notes, reflections, and expositions.”

Indiana University Press, Series: Studies in Continental Thought, 256 pages

“Naylor discusses the racialized and historical backdrop of coffee production and rebel autonomy in the highlands, underscores the divergence of movements for fairer trade and the so-called alternative certified market, traces the network of such movements from the highlands and into the United States, and evaluates existing food sovereignty and diverse economic exchanges.

“Specifically designed for use on a range of undergraduate and graduate courses, [this book] offers an up-todate overview of a wide variety of media forms. It uses more than 40 particular case studies as a way into examining the broader themes in Japanese culture and provides a thorough analysis of the historical and contemporary trends that have shaped artistic production, as well as, politics, society, and economics.

“This book challenges the clichéd understanding of comics as a “universal” language, circulating without regard for cultures or borders. Instead, she develops a new methodology of reading for difference. Kelp Stebbins’s anticolonial, feminist, and antiracist analytical framework engages with comics as sites of struggle over representation in a diverse world.

“On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked.... [As] Bryna Goodman shows, the suicide of an educated ‘new woman’ exposed the emptiness of republican democracy after a flash of speculative finance gripped the city....The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China’s early passage through democratic populism, in an illfated moment of possibility between empire and party dictatorship.

"The Art of the News is the first museum exhibition and catalogue devoted to the remarkable international emergence of comics journalism in the two decades since Joe Sacco first published Palestine in 1993. This project —and the scholarship it represents—fittingly emerge from Sacco’s alma mater, the University of Oregon, where he first studied journalism.

"This collection brings together the experiences and voices of anthropologists whose engaged work with im/ migrant communities pushes the boundaries of ethnography toward a feminist, care-based, decolonial mode of ethnographic engagement called ‘accompaniment.’ Accompaniment as anthropological research and praxis troubles the boundaries of researcher-participant, scholaractivist, and academic-community to explicitly address issues of power, inequality, and the broader social purpose of the work.

"Unhomely life, different from houselessness, refers to a fluctuating condition between losing home feelings and the search for home—a prevalent condition in post-Mao China. The faster that Chinese society modernizes, the less individuals feel at home, and the more they yearn for a sense of home. This is the central paradox that Xiaobo Su explores: how mobile individuals—lifestyle migrants and retreat tourists from China’s big cities, displaced natives and rural migrants in peripheral China—handle the loss of home and try to experience a homely way of life.