Paradise as a Way of Being: Rethinking Relations in Three French Feminist Authors
by Robin Okumu, PhD, Department of Comparative Literature
CSWS Annual Review
Mapping the Decolonial
by Teresa Hernández-Reed, PhD, Department of English
Queering Heteronormative Desire through Vocality
by Aidan Pang, PhD, Department of English
Masculinization of Maternal Reproductive Health in Rural Ghana
by Elinam Balimenuku Amevor PhD, School of Journalism and Communication
The Danger of a Metaphor: The Female Body and Land in Polish Theatre and Performance
by Anna Dulba-Barnett, PhD Candidate, Department of Theatre Arts
Informal Labor Blues: Gendered Effects of COVID-19 and Beyond on Backward Caste Women in India
by Malvya Chintakindi, PhD Candidate, Department of Anthropology
“I don’t care if I live or die, I just need put some food on plate for my family. I don’t have any other support."
“I wish I did not get my daughter married at 15, but we couldn’t afford another mouth to feed or extra space for her in our one room to sleep. Afterall, I was married away when I was 12.”
“To the government, our bodies only matter during elections since the votes we cast are important for political gains. Because it is then, we are not untouchables.”
Viral Bodies: AIDS and Other Contagions in Latin American Narrative
by Jon Dell Jaramillo, PhD Candidate Department of Romance Languages
Resisting and Reclaiming: Housing Occupations by Homeless Mothers in Three US Cities
by Claire Herbert, PhD, and Amanda Ricketts, MA, Department of Sociology
Women Defending the Theatre in Early Modern Europe
by Corinne Bayerl, Senior Career Instructor, Clark Honors College
Catching up with Baran Germen
Baran Germen is an assistant professor of film and media studies at Colorado College. In 2018, he graduated with a PhD in comparative literature from University of Oregon, where he also completed a certificate degree in women’s, gender, and sexuality studies and specialized in film studies. His research and teaching focus on global cinema and comparative media studies, cutting across melodrama, queer theory, and Islam and secularism.