CSWS Graduate Student Research Grant

Ruby Amanda Oboro-Offerie

Trust in Women’s Organizations: Evaluating Gender Gap and State Characteristics

by Ruby Amanda Oboro-Offerie, PhD Student, Department of Sociology
Public trust in institutions has long been a focus of social science research, yet most studies have concentrated on political institutions (Van Der Meer 2010), banks (Fungáčová et al. 2019), and regional (Ron and Crow 2015) and international organizations (Torgler 2008; Hessami 2011). In contrast, limited attention has been paid to trust in women’s organizations (e.g., women’s rights/empowerment groups or feminist movements), despite their growing role in civil society, global gender advocacy, and transforming social norms and gender power relations (Hassim 2006).
Oyster harvesting off the coast of Apalachicola, Florida / photo provided by Megan Hayes

How to Love an Oyster: Chemistry, Slippage, and Attachment

by Megan Hayes, PhD Candidate, Environmental Studies Program

It was oysters who taught me about tides. Or, more precisely, it was oysters who taught me to give better attention to the tides. An oyster is a kind of bivalve, and bivalves are a class of aquatic mollusks that have, in the collective poetic descriptive of Wikipedia, “laterally compressed soft bodies,” which are enclosed in calcified exoskeletons made up of a hinged pair of half-shells, or valves.

Back of a bronze mirror showing a decorative design, from storage at the Seattle Art Museum / photo by Yuan Fang

It All Started with a Mirror: Questioning How We Assign Sex in Ancient Tombs

by Yuan Fang, PhD Candidate, Department of Anthropology
One summer break back home in China, I visited the Henan Museum and found myself drawn to a bronze mirror on display. I had seen many before, but something about this one stopped me. Its delicate designs were beautiful, but I couldn’t stop thinking about what it meant. I pictured a Tang dynasty court lady using it for daily grooming—the familiar image often used to represent bronze mirrors as feminine tools tied to beauty.
“Palestine is a Feminist Struggle” by Urenna Evuleocha, a Feminist Front: Movement Artwork (2023) / image provided by Tali Bitton.

Social Reproduction and Palestine

by Tali Bitton, PhD Candidate, Department of Philosophy
For many colonized women, gender-based violence (GBV) is never solely about their being women. When considering GBV within Palestine and Israel, like other forms of political violence, GBV functions as a mechanism of male supremacy within and across both peoples as much as a mechanism of settler colonization. But whereas Israel has a long history of documented GBV against Palestinians (as the UN has found occurred systematically in Israel’s current genocidal campaign in Gaza), the view of GBV within Israel is often presented in inverted form.
Guatemalan Maya women prepare a meal of traditional foods / photo provided by Liesl Cohn De León.

Migrant Memories: Community and Identity Building in a New Territory

By Liesl Cohn De León, PhD Student, Department of Anthropology

The Guatemalan migrant population in the United States has been growing in the last few decades. Although Guatemalans started coming to the US in the 1980s during the Guatemalan Civil War (1960–1996), between 2010 and 2020 the Guatemalan population increased by about 60%.1 According to the 2020 Census, about 1,683,093 Guatemalans live in the United States. However, there are estimates2 of at least 3,256,047 people from Guatemala living in the US.

Nat Ivy

Gender, Social Politics, and Media Sensationalism in 19th-Century American Murder Ballads

by Nat Ivy, Master’s Student, Folklore and Public Culture Program
Murder ballads have been around for centuries. A murder ballad is a narrative song that tells the story of murder. However, as with any vernacular tradition, there’s a lot more to them than that. American murder ballads are most associated with Appalachian folk music, emerging in the early 19th century as Scottish and Irish immigrants made new homes in North America. As the century progressed, these Appalachian songs blended with African musical traditions, producing blues ballads.
Malvya Chintakindi (center) interviews three of her participants on a recent trip to Hyderabad, India / photo provided by Chintakindi.

Dreams Deferred: Navigating Aspiration and Constraint in Urban India’s Margins

by Malvya Chintakindi, PhD Candidate, Department of Anthropology

At age 33, Renuka’s face carried the weathering of a life spent crossing multiple thresholds—between others’ homes and her own, between caste boundaries that marked her as both essential and polluting, between dreams of education and the harsh reality of survival.

Shannon Bell, front center, with the Harts Photovoice Group at their exhibit in West Virginia, April 2009.

Photovoice in the Appalachian Coalfields

As a sociology graduate student, Shannon Elizabeth Bell displayed an activist’s heart. In her first grant application to CSWS, Bell noted that women are at the fore of the anti-coal movement in central Appalachia, stepping out of their traditional gender roles to take an active leadership position in fighting the coal industry. Her scholarship had a mission—to help these women in low income coal-mining areas of West Virginia find more effective ways to use their voices through grassroots action.

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